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Marguerite and William
Zorach, 1919


William & Marguerite Zorach

William Zorach
Painter/ Sculptor

Marguerite Thompson Zorach
Painter 1887-1968

"... I just couldn't understand why such a nice girl would paint such wild pictures."

William Zorach...
Upon first meeting Marguerite Thompson in Paris, while attending a morning class at La Palette

Watch this space for upcoming exhibits

Portland Museum of Art & Farnsworth Exhibit notices

A New American Sculpture (1914-1945): Lachaise, Laurent, Nadelman, and Zorach. It will run in Portland from May-September 2017 then to the Memphis Brooks Museum between October 2017-January 2018, and finally at the Amon Carter in Fort Worth from February-May 2018.

Zorach Collection Facebook
The Zorach Collection Facebook went online in 2016. Come visit, browse or even follow. We're doing constant updates so send us you thoughts, pictures and memories of Bill & Marguerite.


William & Marguerite Zorach
Pioneering American Modernists

For over 50 years, William and Marguerite Zorach were an integral part of the Twentieth Century American art scene. From the time they met in Paris in 1911 to well into the 1960s, they were considered inseparable, referred to collectively by friends and patrons alike as "the Zorachs".

Those early years spent in Paris inspired their mutual creative vision. They began as Fauvists, then experimented with Cubism. Their combined talent paved the way for an upheaval in New York City's art world that came to be known as Modernism. Their works included watercolors, oils, embroideries and hooked rugs, murals, set design, bronze sculpture as well as direct carving in wood and stone. Both William and Marguerite exhibited at the 1913 International Exhibition of Modern Art (now known as the celebrated 1913 Armory Show) where Marguerite's portrait of a young woman with" pale yellow eyes and purple lips" was savaged by the The New York American.

Intrigued with sculpting as well as painting, William Zorach became one of the first artists to turn to direct carving as well as one of its foremost proponents. Direct carvers kept preliminary studies to a minimum and worked with a wider variety of wood and stone materials. Often they let the colors, shapes, and textures of these materials inspire and guide their work. They simplified their sculpture, emphasizing form over detail. Their inspiration came from new sources such as archaic Greek sculpture, "primitive" art, and folk art. At the time their innovations works felt modern, refreshing, expressive, and evocative.

As a guest of an aunt who lived in Paris, Marguerite was exposed to the artwork exhibited at the 1908 Salon d'Automne; paintings by Matisse,Vlaminck, Anne Estelle Rice, John Duncan Fergusson, to name just a few. She was enthralled with their use of color and minimalist form, a discipline which she continued to explore throughout her career. Marguerite not only expressed her talents through her embroideries and paintings but applied them to the decor of their living quarters as well as the clothing she designed for herself and her family, right down to the stockings that her daughter, Dahlov wore to grade school. No wonder it has been said that the Zorachs truly lived life as an art form.

Throughout their careers both Marguerite and William adhered to their own artistic vision. They refused to allow the trends of the day influence their styles. They saw each and every work as a unique creation that would forever stand unmistakably as a "Zorach".
Truly, theirs is both a love story as well as a success story.

Their works have been collected by The Metropolitan Museum of Art, The Brooklyn Museum, The Whitney Museum of American Art, The Delaware Art Museum, The Museum of Fine Arts, Boston, The Farnsworth Art Museum, Portland Museum of Art, The National Gallery, The National Portrait Gallery, The Smithsonian, The Philips Collection, and educational institutions such as Colby College, The University of Vermont, Williams College, Bowdoin College, and the University of Virginia.

For the complete listings, see either William or Marguerite's page under Permanent Collections.

In addition William has works associated with many public buildings, among them: Radio City Music Hall, New York City Municipal Court, the U.S. Post Office in Washington D.C. as well as Farleigh Dickinson University. He was honored by the Clinton White House as one of America’s great artists.

Upcoming/ Exhibits/Talks...

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Want to know more about the Zorachs?

"To Be Modern"
The Origins of Marguerite and William Zorach's Creative Partnership, 1911-1922 by Jessica Nicoll : Former Curator, Portland Museum of Art; now Director of the Smith College Museum of Ar

Read more about William Zorach
Read more about
Marguerite Zorach

Have a question regarding William and Marguerite Zorach; a piece of art that you would like to discuss; or would just plain like to reminisce? While it's up to our gallery to authenticate any works that you may possess, you are welcome to discuss them with our Executive Committee below. All of us are William and Marguerite's grandchildren. We would be delighted to help you!

Peter Zorach
Bob Ipcar
Tim Zorach

Zorach Exhibits
Recent exhibits of William & Marguerite Zorach's work Zorach works for sale at the Gerald Peters Gallery

For a small overview see William & Marguerite Zorach's gallery

photo courtesy of Larry Wilson

Spirit of the Sea, William Zorach
Bath, Maine
Visit the Friends of the Zorach Fountain at: